A Montreal bookseller with psychiatric issues, a German brain surgeon with a hand tremor, a jazz singer struggling to remember the timbre of her father’s voice: the lives of these three characters intersect in the sublime narrative geometry of this haunting adaptation of Robert Lepage’s celebrated theatre work Lipsynch.

数据中心、环形公路与破败的购物商城，层叠出市郊基建三联画。原本承载着同一未来远景和美式进步承诺的建筑，最终并未如愿成为永久的乌托邦。特定场域的声音、16mm 胶片与 3D 影像，令上述空间及其内涵被主观映射，赋予诗意并受到质疑。这幅关于衰败、更新、铭记与投射的唯物主义《三联画》饱含诗意。它或许是一种哀悼，但也寄托着重生的渴望与诉求。

数据中心、环形公路与破败的购物商城，层叠出市郊基建三联画。原本承载着同一未来远景和美式进步承诺的建筑，最终并未如愿成为永久的乌托邦。特定场域的声音、16mm 胶片与 3D 影像，令上述空间及其内涵被主观映射，赋予诗意并受到质疑。这幅关于衰败、更新、铭记与投射的唯物主义《三联画》饱含诗意。它或许是一种哀悼，但也寄托着重生的渴望与诉求。

林肯总统签署的最后一项法案授权将联合太平洋铁路穿过荒原推向加利福尼亚。但金融投机家阿萨-巴罗斯（Asa Barrows）希望通过阻挠这条铁路获利。首席故障排除专家杰夫-巴特勒（Jeff Butler）手忙脚乱地与巴罗斯的代理人、赌徒希德-坎普（Sid Campeau）斗智斗勇；坎普的合伙人迪克-艾伦（Dick Allen）是杰夫的战友，也是工程师女儿莫莉-莫纳汉（Molly Monahan）的情敌追求者。谁能在不惜一切代价推动铁路贯通的努力中幸存下来？

林肯总统签署的最后一项法案授权将联合太平洋铁路穿过荒原推向加利福尼亚。但金融投机家阿萨-巴罗斯（Asa Barrows）希望通过阻挠这条铁路获利。首席故障排除专家杰夫-巴特勒（Jeff Butler）手忙脚乱地与巴罗斯的代理人、赌徒希德-坎普（Sid Campeau）斗智斗勇；坎普的合伙人迪克-艾伦（Dick Allen）是杰夫的战友，也是工程师女儿莫莉-莫纳汉（Molly Monahan）的情敌追求者。谁能在不惜一切代价推动铁路贯通的努力中幸存下来？

In the first scene, two men stand outside of a car, waiting for the air conditioner to cool down the vehicle. As one puts on some house music using the car’s CD player, their silence is broken into a state of indescribable feelings. In the second scene, shot on Super 8 film, a person tries to recount a story as he spins a pen around in his hands. As he narrates the story which he cannot fully remember, he ponders this unusual amnesia. In the third scene, also filmed on Super 8, focuses on two pairs of hands cutting each other’s nails, the caring yet sensitive gesture were echoed by the intertitles. The fourth scene features a woman standing in a forest putting tiger balm on her body. And in the last scene, two people are playing cat's cradles, while two voices exchanges stories of inexplicable gestural encounters with other queer bodies. 　　Improvised with a non-white cast, and prominently featuring queer and Asian bodies, these fragmented memories, uneasy gossip, and moments of silence, center on one key question: When the idea of an individual subject cannot take form, how might we reconsider being visible, audible, or legible?

In the first scene, two men stand outside of a car, waiting for the air conditioner to cool down the vehicle. As one puts on some house music using the car’s CD player, their silence is broken into a state of indescribable feelings. In the second scene, shot on Super 8 film, a person tries to recount a story as he spins a pen around in his hands. As he narrates the story which he cannot fully remember, he ponders this unusual amnesia. In the third scene, also filmed on Super 8, focuses on two pairs of hands cutting each other’s nails, the caring yet sensitive gesture were echoed by the intertitles. The fourth scene features a woman standing in a forest putting tiger balm on her body. And in the last scene, two people are playing cat's cradles, while two voices exchanges stories of inexplicable gestural encounters with other queer bodies. 　　Improvised with a non-white cast, and prominently featuring queer and Asian bodies, these fragmented memories, uneasy gossip, and moments of silence, center on one key question: When the idea of an individual subject cannot take form, how might we reconsider being visible, audible, or legible?

优酷独家出品市井美食纪录片《江湖菜馆》第三季定档，于11月2日起每周三零点播出。每个地方对辣菜的烹饪都有自己的小心思，湘西的苗鱼、成都的火锅、昆明的辣子鸡……它们以辣统一而又各成一派，江湖风味，辣味当先，各位看官不妨坐下细细品尝，感受人间烟火。

优酷独家出品市井美食纪录片《江湖菜馆》第三季定档，于11月2日起每周三零点播出。每个地方对辣菜的烹饪都有自己的小心思，湘西的苗鱼、成都的火锅、昆明的辣子鸡……它们以辣统一而又各成一派，江湖风味，辣味当先，各位看官不妨坐下细细品尝，感受人间烟火。